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A new definition of "Signature Wright home" (a house bearing the red signature tile): "It means that Wright okayed, or selected, everything for the home -- either designed it, or okayed the purchase [of items] . . ."
There are seven other Wright homes in Iowa. None of them has a red tile . . . ?
The interview taken at the house seems to have been edited, at least at the jump to the bedrooms. It would be interesting to have seen and heard the whole interview.
The designer begins to lose control of his creation the moment it leaves his drawing board. That Mr Wright was able to see so many of his buildings erected and furnished with anything like fidelity to his vision is a credit to him and to the many who he was able to influence effectively -- I suppose. These others would include the apprentices, both drafters and supervisors, the client, the builder, and (last, and least effectively, perhaps) the client's spouse . . .
It's so wonderful to look at the photographs of the Usonian Exhibition house from 1953. Besides the two Taliesins, it is perhaps the closest thing to a complete Wright environment... Every functional and decorative object and its placement there must have approved by Wright (or at least John de Koven Hill...).
I thought the red tile was a subliminal sign by FLW and OLW, indicating that one day, Gurdjieff would have legal rights to any house thus designated, to be used for 'movements', criticisms and general mayhem. Isn't that correct ?