Chahroudi / Massaro residence on Petre Island
Construction of Frank Lloyd Wright structure to begin...
BUFFALO, N.Y. Ground will be broken today in Buffalo for a boathouse designed by famed architect Frank Lloyd Wright a century ago.
The five (m) million-dollar rowing clubhouse will be built on Buffalo's Niagara River waterfront next to the West Side Rowing Club. The project is expected to be completed next summer.
WCAX TV
http://www.wcax.com/Global/story.asp?S= ... v=4QcSZuDr
The five (m) million-dollar rowing clubhouse will be built on Buffalo's Niagara River waterfront next to the West Side Rowing Club. The project is expected to be completed next summer.
WCAX TV
http://www.wcax.com/Global/story.asp?S= ... v=4QcSZuDr
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Roderick Grant
- Posts: 11815
- Joined: Wed Mar 29, 2006 7:48 am
The simplicity of Yahara makes it a good choice for construction all these years after the fact. It should be possible to do the design justice without making any egregious changes. But the $5-million price tag seems ludicrous to me. Especially in a depressed area where construction costs should be down.
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outside in
- Posts: 1338
- Joined: Sat Jul 29, 2006 9:02 pm
- Location: chicago
everett dirkson
His words apply to construction costs now, more than ever "a million here, a million there, pretty soon you're talking about real money!" There has been nearly a 25% increase in construction costs within the past 3 years. I'm not one to throw around cash, but 5 mil. ain't what it used to be.
RJH - please feel free to email me the photos you speak of: I am most happy to host them for you on my own domain.
chris*at*4sure.co.nz
I'll send you the URLs and a directory listing as soon as they are uploaded.
chris*at*4sure.co.nz
I'll send you the URLs and a directory listing as soon as they are uploaded.
How many escape pods are there? "NONE, SIR!" You counted them? "TWICE, SIR!"
*Plotting to take over the world since 1965
*Plotting to take over the world since 1965
I have some time so I am trying to post a few pics. Hope this works. Enjoy!
http://www.flickr.com/photos/36675938@N00/
http://www.flickr.com/photos/36675938@N00/
Thank you for the additional photographs. The more photos that I see of that building, the more it screams of mediocrity. That building has none of the visual richness, beautiful details, and wonderful proportions of a true FLW building. If the folks at Taliesin care anything about FLW's legacy they should sue to get FLW's named removed from any association with that dog of a building.
Paul Harding FAIA Restoration Architect for FLW's 1901 E. Arthur Davenport House, 1941 Lloyd Lewis House, 1952 Glore House | www.harding.com | LinkedIn
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Ed Jarolin
- Posts: 277
- Joined: Mon Apr 03, 2006 1:06 pm
- Location: Wyoming
After seeing the recently posted photos I must say I agree with
pharding's comments. After being very enthused initially and being
impressed by the short video of the construction process, the finished
building seems very disappointing indeed.
The rocks in the rubblestone walls certainly do look pasted on and,
if earlier posts here are accurate, the use of bolts instead of paste
is only a minor technicality. It seems the closer you get the worse it
looks. The distant photos are the best, as if you squint a little it looks
pretty good.
Apologies to FLlW, but sometimes " God is in the details" to quote
Mies van der Rohe. Seems Mr. Heinz had the opportunity of a lifetime
and simply wasn't up to the task. I don't fault the attempt, I'm just
saddened by the result.
Granted I'm making these comments based on a few photos, a rather
dangerous business when judging architecture. However, I would be
quite surprised if my opinion changed upon personal inspection.
pharding's comments. After being very enthused initially and being
impressed by the short video of the construction process, the finished
building seems very disappointing indeed.
The rocks in the rubblestone walls certainly do look pasted on and,
if earlier posts here are accurate, the use of bolts instead of paste
is only a minor technicality. It seems the closer you get the worse it
looks. The distant photos are the best, as if you squint a little it looks
pretty good.
Apologies to FLlW, but sometimes " God is in the details" to quote
Mies van der Rohe. Seems Mr. Heinz had the opportunity of a lifetime
and simply wasn't up to the task. I don't fault the attempt, I'm just
saddened by the result.
Granted I'm making these comments based on a few photos, a rather
dangerous business when judging architecture. However, I would be
quite surprised if my opinion changed upon personal inspection.
Photos compliments of www.HaynesHouseLLC.com
Some comments from my visit:
- The masonry had to be done the way you see it. I was told that an Engineer advised that if it was built as Wright wanted it done (true desert masonry) it would not support the structure. Also there is a foam core in the walls that was needed to meet R-value (building code).
- All the doors and windows are Mahogany. Better construction and quality then I
Some comments from my visit:
- The masonry had to be done the way you see it. I was told that an Engineer advised that if it was built as Wright wanted it done (true desert masonry) it would not support the structure. Also there is a foam core in the walls that was needed to meet R-value (building code).
- All the doors and windows are Mahogany. Better construction and quality then I
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Roderick Grant
- Posts: 11815
- Joined: Wed Mar 29, 2006 7:48 am
Perhaps future visitors to the house can compare this near miss to the masterful cottage next door to see the difference between the living and the dead. Examine the cottage in detail; it is an exquisite design with a roof that is simply amazing in its construction. It is an overlooked masterpiece. The big, expensive houses dazzle, but more often than not, FLW was better when he had strict limitations, such as Willey, Jacobs I, Sturges and Goetsch-Winkler.
Thanks for the photos. Very interesting. Wonderful to see the cottage, whose design I've always admired. The new home seems very impressive...with the exception of the masonry. Surely they could have found some way to countersink the stones to at least give the impression of dessert rubble wall.
The wood work...a real litmus test in any usonian...looks terrific.
Construction aside, I'm not sure this is my fav FLW design. I've always liked the sleek horizontal drawings of this projects, but something is a bit lost on translation perhaps. It has the feel of his clunkier designs...like that other one...what's it called Greystone or Greycliff: Very hard and bunker like.
Is the roof copper? When that oxidizes, it may make a big difference.
DK
The wood work...a real litmus test in any usonian...looks terrific.
Construction aside, I'm not sure this is my fav FLW design. I've always liked the sleek horizontal drawings of this projects, but something is a bit lost on translation perhaps. It has the feel of his clunkier designs...like that other one...what's it called Greystone or Greycliff: Very hard and bunker like.
Is the roof copper? When that oxidizes, it may make a big difference.
DK
I've been spending some nice times with an aging ex apprentice near me. He had a very combative, at times, relationship with Wright. Talking with him is fascinating, especially in light of the new Fellowship book (he was "favored" for awhile, and another potential match for Iovanna). He is an interesting person. He was definitely one of the more independent thinkers there, and appears to still carry baggage from his experiences. Its odd to detect an almost hostile remembrance after so many years. Still, he was a great admirer of Wright and has no regrets for having been at Taliesin-never a pleasant place for an individual.
On his quest to balance a life outside Taliesin, he spent time in India working with Corbu on some of those monstrosities, worked on Suntop after a fire, designed houses in Usonia. He wasn't shy about asking Wright to pay him the $100 here or there he was owed, but Wright often remembered without being asked.
Anyway, to stay on topic, today he lent me a copy of his oral history that Taliesin sent him. The first date with his wife was hijacked when Wright sent him over to the island to prod the client to build the house. They had a picnic with the family near the rock, water skied, etc.
Out of the blue Chahroudi blurted out "there's no way I can afford to build this house, what can I do?" The apprentice compared his dilemna to that of Arch Oboler. Chahroudi asked how he could get something he could afford. The appentice suggested something smaller be built first (he was not sure if a guest house had already been designed), and for half the amount of his house budget. When Chahroudi mentioned that would probably not be enough money, the apprentice said, yes, but you'll end up spending your whole budget anyway! Obviously, he learned this from having supervised a number of houses.
I think he may not even be aware of the recent construction, and I will surely find out to see what he has to say all these years later.
There is just too much to go into, and this is just one apprentice talking for 5 hours...you know, these histories would make incredible books themselves. The first person recollections are priceless.
On his quest to balance a life outside Taliesin, he spent time in India working with Corbu on some of those monstrosities, worked on Suntop after a fire, designed houses in Usonia. He wasn't shy about asking Wright to pay him the $100 here or there he was owed, but Wright often remembered without being asked.
Anyway, to stay on topic, today he lent me a copy of his oral history that Taliesin sent him. The first date with his wife was hijacked when Wright sent him over to the island to prod the client to build the house. They had a picnic with the family near the rock, water skied, etc.
Out of the blue Chahroudi blurted out "there's no way I can afford to build this house, what can I do?" The apprentice compared his dilemna to that of Arch Oboler. Chahroudi asked how he could get something he could afford. The appentice suggested something smaller be built first (he was not sure if a guest house had already been designed), and for half the amount of his house budget. When Chahroudi mentioned that would probably not be enough money, the apprentice said, yes, but you'll end up spending your whole budget anyway! Obviously, he learned this from having supervised a number of houses.
I think he may not even be aware of the recent construction, and I will surely find out to see what he has to say all these years later.
There is just too much to go into, and this is just one apprentice talking for 5 hours...you know, these histories would make incredible books themselves. The first person recollections are priceless.
