Midland Michigan Midcentury Modern Jackson Hallett
Jackson Hallett was with Alden Dow from '51 to '58.
https://midcenturymidland.org/jackson-b-hallett/
SDR
https://midcenturymidland.org/jackson-b-hallett/
SDR
Mmm. Stone floors and mahogany millwork -- we're getting serious here. That's a wondrously exploded entry area. The theme of doubled posts with slit windows becomes a hilarity, with all those skinny blinds. And there's a neat bit of instant compression-and-release, as one moves up from the stone floor to the carpeted living area.
But where has this fellow been, all this time ! It is the work of those whom Wright inspired that can show us what Wright did, and didn't do, whether the work is worthy or not. In other words, our understanding of "organic" (for serious want of a better term) can be both deepened and broadened, by looking at the work of these "others."
Or that's what I see, anyway . . .
SDR
But where has this fellow been, all this time ! It is the work of those whom Wright inspired that can show us what Wright did, and didn't do, whether the work is worthy or not. In other words, our understanding of "organic" (for serious want of a better term) can be both deepened and broadened, by looking at the work of these "others."
Or that's what I see, anyway . . .
SDR
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Roderick Grant
- Posts: 11815
- Joined: Wed Mar 29, 2006 7:48 am
Resurrection of the 50s. One can almost hear:
"I married Joan. What a girl, what a whirl, what a life.
Oh, I married Joan. Love is blind, what a mind, what a wife.
Giddy and gay, oh may she keep my lovin'
Never know where her greatest goal.
Oh, to each his own. I'm in love, that's why I married Joan!
I married Joan!"
"I married Joan. What a girl, what a whirl, what a life.
Oh, I married Joan. Love is blind, what a mind, what a wife.
Giddy and gay, oh may she keep my lovin'
Never know where her greatest goal.
Oh, to each his own. I'm in love, that's why I married Joan!
I married Joan!"
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Roderick Grant
- Posts: 11815
- Joined: Wed Mar 29, 2006 7:48 am
Thank you Roderick; I never could catch all the lyrics to the "I Married Joan" theme . . .
What did Joan Davis ever do that would put her in the running with Lucille Ball ?? I never saw her in a movie, nor in any other TV show. Eve Arden might be more her lost twin, but even Arden (was that her given name ?) had far more exposure -- it seemed to me.
SDR
What did Joan Davis ever do that would put her in the running with Lucille Ball ?? I never saw her in a movie, nor in any other TV show. Eve Arden might be more her lost twin, but even Arden (was that her given name ?) had far more exposure -- it seemed to me.
SDR
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Roderick Grant
- Posts: 11815
- Joined: Wed Mar 29, 2006 7:48 am
SDR, it was just "I Love Lucy" vs. "I Married Joan." Joan Davis didn't have much of a movie career; neither did Lucille Ball. Joan was usually cast as the lead actress's buddy. She was not a stunner; her face was not her fortune, but she was a skillful comedienne, and her TV show was a major competitor to Lucy's.
Eve Arden (born Eunice Quedens) was a major radio star of "Our Miss Brooks" from '48 until it transitioned to TV in '52-'56, followed by a feature version. She also received an Academy Award nomination for her supporting role in "Mildred Pierce." In the hierarchy of show biz, Eve was a step or two above Lucy ... until Ms Ball's career took off like a rocket.
Eve Arden (born Eunice Quedens) was a major radio star of "Our Miss Brooks" from '48 until it transitioned to TV in '52-'56, followed by a feature version. She also received an Academy Award nomination for her supporting role in "Mildred Pierce." In the hierarchy of show biz, Eve was a step or two above Lucy ... until Ms Ball's career took off like a rocket.
Thank you.
The plan of the subject house is a delight: The kitchen overlooks the entry drive and opens to the bedroom balcony (though not to the adjacent dining porch); behind the living room is an office; and lower-level bedrooms and generous family room are excavated into the rise in the lot. Full-height glass abounds on the upper level, though the living room has a cozy degree of enclosure as well. And the original kitchen and baths are wonderful -- they could have been designed this year. The house appears to have been immaculately maintained. Too bad we don't see the stair . . .
SDR
The plan of the subject house is a delight: The kitchen overlooks the entry drive and opens to the bedroom balcony (though not to the adjacent dining porch); behind the living room is an office; and lower-level bedrooms and generous family room are excavated into the rise in the lot. Full-height glass abounds on the upper level, though the living room has a cozy degree of enclosure as well. And the original kitchen and baths are wonderful -- they could have been designed this year. The house appears to have been immaculately maintained. Too bad we don't see the stair . . .
SDR
Yes -- I've spent many happy hours drinking-in buildings in black and white. I suspect that some of us of a certain age learned about our favorite architects entirely via monochromatic images.
If choice of form in architecture can be subjective, not to say arbitrary, surely color is very much more so ?
SDR
If choice of form in architecture can be subjective, not to say arbitrary, surely color is very much more so ?
SDR