Help Put Wright's Call Building Model Back At Taliesin
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Last edited by Paul Ringstrom on Wed Oct 28, 2015 12:33 pm, edited 1 time in total.
Owner of the G. Curtis Yelland House (1910), by Wm. Drummond
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Copied from page 3 of the thread:
Two versions of the project. First, as shown in In the Nature of Materials:

And, as reproduced in FLLW Three-quarters of a Century of Drawings, 1976 (the Italian show):

The models were preceded, of course, by the design work. Many of Wright's designs went through more than one iteration on their way to completion. This project was no different, though neither version of the design was built.
Here is the text and floor plan from Taschen Vol I, pp 462-3:



Text and images © 2009 by TASCHEN GmbH and by the Frank Lloyd Wright Foundation
Two versions of the project. First, as shown in In the Nature of Materials:

And, as reproduced in FLLW Three-quarters of a Century of Drawings, 1976 (the Italian show):

The models were preceded, of course, by the design work. Many of Wright's designs went through more than one iteration on their way to completion. This project was no different, though neither version of the design was built.
Here is the text and floor plan from Taschen Vol I, pp 462-3:



Text and images © 2009 by TASCHEN GmbH and by the Frank Lloyd Wright Foundation
Further images displayed in the Taschen entry:
Details of the perspective drawing 1207.001 published in In the Nature of Materials (see above), Taschen I p 463, with regrettable distortion of images due to my extreme close-up photography:



Elevation and view 1207.002:

Detail of above. In the Taschen text (see above) Mr Pfeiffer refers to this perspective sketch with its "arched Sullivanesque entrance"; he doesn't mention the more finished view drawing (displayed above, and here) with arched opening. This pair of drawings (the thumbnail and the plate below) might reinforce the notion that these represent the initial design -- though it's odd to find the earlier version carefully sketched on a hard-line elevation of the later one. It is hard to argue that the later design isn't the more sophisticated, with its interpenetration of elements including a more aesthetically secure attachment to the existing domed tower.


Details of the perspective drawing 1207.001 published in In the Nature of Materials (see above), Taschen I p 463, with regrettable distortion of images due to my extreme close-up photography:



Elevation and view 1207.002:

Detail of above. In the Taschen text (see above) Mr Pfeiffer refers to this perspective sketch with its "arched Sullivanesque entrance"; he doesn't mention the more finished view drawing (displayed above, and here) with arched opening. This pair of drawings (the thumbnail and the plate below) might reinforce the notion that these represent the initial design -- though it's odd to find the earlier version carefully sketched on a hard-line elevation of the later one. It is hard to argue that the later design isn't the more sophisticated, with its interpenetration of elements including a more aesthetically secure attachment to the existing domed tower.


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http://dreamoftime.com/places/call-building-downtown
I suppose a semi-circular arch would not be incompatible with the Call Building's tall Roman-arched openings . . .
No -- this is all that Taschen shows. The description of other floor plans is tantalizing. I've only seen the pair of plans found here:
http://savewright.org/wright_chat/viewtopic.php?t=6426
SDR
I suppose a semi-circular arch would not be incompatible with the Call Building's tall Roman-arched openings . . .
No -- this is all that Taschen shows. The description of other floor plans is tantalizing. I've only seen the pair of plans found here:
http://savewright.org/wright_chat/viewtopic.php?t=6426
SDR
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Jeff, there appears to be a discrepancy between the layout of the vertical masses visible in your close-up of the digital model, and the same elements seen in the detail of the drawing of the same part of the tower. Did your measurements come from a different version of the design ?
It's great to see the two Burnham Street ASBH duplexes next to your model; they go a long way toward establishing the scale of the larger structure.
SDR
It's great to see the two Burnham Street ASBH duplexes next to your model; they go a long way toward establishing the scale of the larger structure.
SDR