Help w/ plans
To my mind, the asymmetrical decorative textile "set dressing" -- there's another in the Tahoe barge drawing just above -- represents the human use of the architectural object. Such use is by nature random, or at least asymmetrical, in contrast to the structural vessel in many cases. The off-center and directional chimney mass in the otherwise axial Storer volume is another example.
How do we know that "Wright added the little girl" to the Guggenhiem drawing, Jim ? It all looks to be in the same hand, doesn't it ? Congratulations on the image-posting -- we can expect a feast in the coming months and years, I'm thinking . . .
S D R
How do we know that "Wright added the little girl" to the Guggenhiem drawing, Jim ? It all looks to be in the same hand, doesn't it ? Congratulations on the image-posting -- we can expect a feast in the coming months and years, I'm thinking . . .
S D R
The difference between the two Gladney schemes Jim presents on the previous page is interesting: Most of the house remains the same, with only the roof and the central structure that supports it altered, while most of the other visible elements seem identical. Yet those parts that are different are completely different . . .
S
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Interesting that you say that... I thought the same thing. I like Taggart a lot. Hope to see it some day.TnGuy wrote:The exterior woodwork on Gladney seems to be a very close cousin in design to son Lloyd Wright's Taggart House (which pre-dates it by two years).
Has anyone on the Chat Board been inside Taggart since the restoration?
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Macrodex, that last house scheme was for Dr. B. Marden Black in Rochester, Minnesota, and was not built. I don't have any references with me but it was designed about 1947 along with houses for Bulbulian and Keyes for neighboring lots on Skyline Drive. It is in the Monographs and the recently released publication of Wright's plans.
Doug K
Doug K
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Roderick, I was speaking of the two versions of Scheme 1 which Jim posted on the previous page.
Paul Ringstrom provides an enhanced version of the Marden Black (?) imaged posted by Macrodex:

Interesting; a rare four-story house. Perhaps there was a remarkable view to be had -- or (despite the appearance of the perspective sketch) a limited lot size ?
S
Paul Ringstrom provides an enhanced version of the Marden Black (?) imaged posted by Macrodex:

Interesting; a rare four-story house. Perhaps there was a remarkable view to be had -- or (despite the appearance of the perspective sketch) a limited lot size ?
S
Thanks for the higher contrast plan, SDR, as well as everyone who helped contribute.
http://photofiles.lib.uchicago.edu/db.x ... oyd+wright
Not sure how prevalent these are, but, here are some pics of the phases of Robie house construction -- one of them, I believe, has a picture of the Robies with child on site.
http://photofiles.lib.uchicago.edu/db.x ... oyd+wright
Not sure how prevalent these are, but, here are some pics of the phases of Robie house construction -- one of them, I believe, has a picture of the Robies with child on site.
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Re: the little girl in the Guggenheim. On page 26 of volume 3 of the taschen monographs, BBP writes that the little girl was already in the drawing, and Wright's addition was the yo-yo that she's playing with.
He reports Wright as saying, "Boys, in all this endeavor we must ever lose sight of a sense of humor."
He reports Wright as saying, "Boys, in all this endeavor we must ever lose sight of a sense of humor."