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There are a few missed dates or other minor errors. Scully, clearly a Wright lover, serves the community as an antidote to other iconoclastic biographers who some see as having gone (at least) slightly astray; Brendan Gill comes immediately to mind.
There is, for instance, no Greene & Greene Dodge house---in Pasadena or anywhere else; perhaps Scully is thinking of Irving Gill's Walter Luther Dodge house in West Hollywood (1914-16), which has nothing to do with Wright, Millard, or Greene.
No, there are not four LA houses in the 'twenties, there are five. He means to speak of the Textile Block houses as a group of four but inadvertently includes Hollyhock House in his count. No, Laura Gale is not 1918, it is a decade earlier; again a verbal typo. No, not all of Wright's houses leak; he knows better than that but can't contain the impulse to dramatize a Wrightian flaw---a tiresome cliché he could well have avoided.
Vince also got the exact construction of Millard wrong. The textile system we all know came first at Storer, while La Miniatura had male/female blocks back to back with vertical metal straps placed every 4'.
The father/mother thing between Larkin and Johnson is a bit too armchair for my liking.
Recent study of Teotihuacan has determined that the Aztecs didn't build it, but came upon it by accident - deserted by whom, no one knows - and moved in. But Vince wouldn't have had that information.
Scully frequently tended to get carried away with himself. The house in Pasadena he meant to reference was probably the Gamble House, by Greene & Greene